Unassuming clothes were the focus of Daniele Alessandrini's FW14 collection. Using a simple and relaxed silhouette, his focus was on demure clothes with a splash of print and pattern via chunky houndstooth or geometrical shapes. Adding a bit of dandy and salaciousness to the collection were tailored jackets draped over the shoulders and disheveled, walk of shame-like hair.

Daniele Alessandrini's neutral color palette lent itself to a collection full of details, with certain pieces being completely on trend. From the first mesh top to a plethora of shorts, Alessadrini displayed his ability to cut material, even if the palette left much to be desired.

Daniele Alessandrini's muted color palette was complemented by the use of luxurious fabrics that made up his FW12 collection. Detachable fur lapels were seen on a jacket while a cashmere blend puffer was mixed with more technical and sporty fabrics. Like many of Milan's other shows, the highlight here was, of course, the tailoring.

Harry Goodwins appears in his runway look for Daniele Alessadrini's Fall/Winter 2011 campaign. We're unsure whether this is Harry's actual runway look or a recreation at a studio. If it is the former, we think the usage of runway shots as campaign images are of poor taste. Or in the case of Etro's campaign for SS11, they used backstage photos as their campaign images.

Daniele Alessandrini's influx of color highlighter yellow, tangerine and eggshell blue for SS12 was such a welcome change to the sometimes malaise seen ont he runway, which swayed more towards bleak for SS12 than Alessandrini's perky and effervescent designs, with large star pins on lapels and shirts.

Daniele Alessandrini's offerings for next season ranged from beautifully printed sweaters to suede suits (in camel, no less) to fur trimmed outerwear and a feathered vest so it's no stretch of the imagination that the collection echoed the 70s, a big trend for next season. Like most of the other shows, it was a much more modern take on the 70s, gone at the flared pants and in its place were pants that were cropped and/or tapered, elongating the wearer and creating a much leaner silhouette.